Topic Summary

Armed conflict not only affects civilian lives, but also cultural institutions, such as the performing arts, which shape national identity and retention of collective memory. Performing arts are forms of intangible cultural heritage that depend on continuous practice, community, and place. In areas affected by armed conflict, persecution or political instability, artists are forcibly displaced, institutions are destroyed, and generations of cultural knowledge are put at risk. The decay of performing arts in global conflict zones is not simply seen as a cultural loss, but as a human rights issue centered around an international right to freedom of expression and education, and identity.

In recent years the Russia–Ukraine war exemplified the vulnerability of performing artists, but also their resiliency. Ballet schools across European nations provided sanctuary and continued training for Ukrainian dancers. Cultural institutions have become more than shelters; they are opportunities for artists to be engaged and restore a sense of continuity and purpose in times of hardship. However, such efforts remain uneven, underfunded, and often inaccessible to those most in need.

This committee will discuss how the international community might allow for better protection of the cultural rights of displaced artists and safeguard performing arts in conflict zones. The delegates will be asked to consider how to support cultural asylum, enhance arts education in exile, and provide equitable access to artistic resources for refugees and marginalized communities. Delegates should also consider post-conflict rebuilding of cultural institutions, preventing cultural erasure, and the potential of the role of arts in reconciliation, recovery and trauma. As SOCHUM, we will be guided by humanitarian and cultural perspectives in our conversations using dignity, diversity, and human rights as principles to ground our work.

Director’s Letter

Esteemed Delegates,

It is my pleasure to welcome you all to the Social, Humanitarian, and Cultural Committee (SOCHUM) for the 2027 session of Harvard National Model United Nations Boston. I am honored to serve as your Director, and I look forward to working with all of you over the course of this conference.

My name is Madison Rosen. I was born and raised in Chicago, Illinois, and I am currently a sophomore at Harvard. I study Government and Economics, and I plan to attend law school after college. At Harvard, I compete on the Intercollegiate Model United Nations (ICMUN) team, and it has been a defining and amazing part of my Harvard experience thus far. This past year, I was also an Assistant Director for the International Monetary Fund at HMUN Boston and an Assistant Director for the Legal Committee at HNMUN. Outside of Model United Nations, I am a member of Harvard’s Institute of Politics, including as a Deputy Chair of Women in Leadership, and I enjoy reading, going to the gym, and dancing in my spare time.

In this committee, we will address critical issues concerning criminal justice and prison reform in the modern world. I am excited to work with all of you as you represent your countries’ unique perspectives and deliberate potential improvements to global approaches to promoting humane conditions in prison systems and rehabilitation for prisoners. I encourage everyone to actively participate in committee discussions, collaborate with your fellow delegates, and propose new and innovative solutions while growing your communication skills. Please do not hesitate to reach out with any questions or concerns. Good luck!

Sincerely,

Madison Rosen

Director, Social, Humanitarian, and Cultural Committee

ga@hnmun.org

Director’s Letter

Esteemed Delegates,

My name is Victoria Washington, and I am thrilled to welcome you to the Social, Humanitarian, and Cultural Committee (SOCHUM) for the 2027 session of Harvard National Model United Nations. It is an honor to serve as your Director for our double-delegation committee on promoting humane conditions and rehabilitation in prison systems. I cannot wait to see the thoughtful debate, creative solutions, and diplomacy that you all bring to committee.

I’m from Chicago, IL, and I am a sophomore studying History of Art & Architecture and Economics at Harvard College. Outside of Model UN, I am a staff writer for the Harvard Crimson Arts Board, a member of the Art Board of the Harvard Advocate, and I occasionally work in costume design for theatrical productions on campus. Before college, I competed in Model UN throughout high school, and more recently, I served as an Assistant Director for the World Conference on Women at HMUN Boston 2026. These experiences have helped shape my appreciation for quality debate and for Model UN as a space to engage with complex global issues.

Our topic this year asks delegates to confront one of the most overlooked humanitarian challenges facing the international community: the treatment of incarcerated individuals and the role of rehabilitation within prison systems. Around the world, prison overcrowding, inadequate healthcare, violence, systemic discrimination, and barriers to successful rehabilitation and reintegration continue to undermine fundamental human rights. I am excited to work with all of you as you represent your countries’ unique perspectives and collaborate on innovative, practical solutions to these pressing humanitarian concerns.

In debate, I encourage you to consider not only the immediate humanitarian concerns within prisons, but also the broader structural factors that shape incarceration, including poverty and access to education and social services. I look forward to meeting you and seeing everyone grow as delegates throughout the weekend. Please do not hesitate to reach out with any questions or comments you may have.

Best regards,

Victoria Washington

Director, Social, Humanitarian, and Cultural Committee